Opening Remarks
オープニング
The official opening of the IMX Tokyo conference day.

The 2026 program brings industry leaders, technologists and artists together across two cities. Shanghai moves over three days from industry foundations, through artificial intelligence, to human creativity. Tokyo condenses the same questions into a single conference day on discovery, rights and regional reach. Keynotes, roundtables, product showcases and live performance structure each day.
A single conference day running from platform strategy and rights infrastructure through regional collaboration, and closing on the same question the circuit keeps returning to.
One room, one day: how music is found, how it gets paid for, and how the region works together to send it further.
Opening through to the midday break
オープニング
The official opening of the IMX Tokyo conference day.
AI時代の権利記録と収益分配:新しい仕組みをつくる
As AI becomes part of how music is created and trained, how do we record who contributed what, and distribute revenue fairly? CRxAI presents its vision for a global rights and revenue infrastructure.
中国・台湾のリスナーに届ける:音楽プロモーションの実践
Drawing on music advertising on NetEase Cloud Music and QQ Music in China and an ad proof of concept with KKBOX in Taiwan, this session shows concrete ways to bring Japanese music to listeners in Chinese-speaking markets.
データとテクノロジーで変わる音楽ビジネスの現場
Three companies share how data analytics, stem separation and other technologies are being used in real music workflows, from understanding artists and audiences to finding new uses for catalogs, and discuss what it takes to adopt them.
Open networking during the break
音楽ランチ|New Release Project
A lunch break accompanied by what’s new: new music videos take the screen over the midday break, a relaxed way to discover fresh releases and the artists and labels behind them while connecting with fellow attendees.
Resuming after the midday break
ゼロから築く:グローバル企業のためのグローバルオペレーション
Dr. Joern Radloff built ByteDance’s global music publishing operation for TikTok, then did the same for Amazon Music, and now leads music publishing and indie partnerships at Twitch. This keynote draws on that career to look at what it takes to build global operations for a global enterprise, from the ground up.
海外市場への入り口:海外から見た日本の音楽
The launch of the Asia Music Industry Collaboration Initiative, followed by a panel in which overseas platforms and distributors discuss practical routes for Japanese music into international markets.
ウィメン・イン・ミュージック:パワー、ボイス、チェンジ
Women from a technology company, a distributor, artist management and production share their different perspectives on careers, decision-making power and visibility in the music industry. A return of last year’s well-received session.
ヒットをどう広げるか:国内のデジタル戦略からアジアのオーディエンスへ
From digital promotion and hit-making in Japan to expanding across Asia, speakers from label, promotion and local-partner backgrounds discuss what works. The session also covers on-the-ground support in overseas markets, from events, PR and marketing to booking, concert production and fan club operations.
J-POPのグローバルステージ:出版、メタデータ、作品を守る
Surf Music on taking songwriters global and metadata optimization, Nippon TV Music on partnerships with international publishers such as UMP, and JASRAC on protecting works with Kendrix’s proof of existence: a multi-angle look at taking J-POP overseas.
「配信」のその先へ:ディストリビューターの次の役割
Distributors from Japan and abroad discuss how to get Japanese music to listeners worldwide, and how distribution business practices differ between Japan and overseas markets.
曲の向こうにある物語:アーティストはどう音楽を届けるのか
A song is more than its final sound. It comes from an artist’s expression, identity and lived experience. Singer-songwriters and artist managers from abroad discuss how they carry that story to listeners across borders.
After the closing session
ネットワーキング・レセプション
A reception for speakers, attendees and sponsors to connect.
* This session is still being finalized. Its title, format and speakers may change.
Times are local to each city. Session titles, topics, times and running order may change. Speakers are announced separately.
Speaker applications remain open across the 2026 circuit while the program is finalized.
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